“Across Cathedral Avenue…”

Point well taken, Leo!

Here’s something I blogged somewhere, early the Monday, following the gathering…

“Across Cathedral Avenue: Peacocks, HAIR, and Hats Off to Nina Dayton and ‘Tribe’…”

So, who knew?

You can live your whole life in New York, and still be surprised.

In the garden next to the Cathedral of Saint John the Divine strolls this otherworldly WHITE peacock, with a fan-span that seems to be about four feet… A Google check says that there’s a whole bunch of peacock’s on the Chuch’s expansive grounds.

The small park is actually called something like The Childrens’ Garden. Surrounding the area are a series of pedestals, with small metal statues, all emerging from the pages of a book… Each features a figure from religion, or literature, and a passage of their work. A closer examination reveals that all the mini-statues were created by kids, probably modeled in clay, and then cast, or fired somehow…

Where else can one see Georgia O’Keefe standing up with Confucious, and along side of Mark Twain…?

😉

Saturday night, the Synod House, next door to the Park, and St. John the Divine, was the site for the latest–and they’re saying the last–HAIR alumni reunion. And, like the event a while back at La Mama, it was really once again quite extraordinary to see so many folks reunited by a show that they had once performed in, and hear their music…

(Two years ago, despite having done a bit of business with one or two of the HAIR folk, I did feel a bit like being at someone else’s high school reunion. But this year, I knew some old pals of mine were going to be there, and had my own very pleasantly surprising moments when two folks from my past were very unexpectedly there–one of whom, a gal I first knew, as a wee teen, thirty tears ago!)

Nina Dayton, and her family, and Michael Butler, Walter Michael Harris, and Natalie Mosco, and a whole bunch of other folks did another great job, bringing this all off.

Somewhere in the early ’70s, HAIR actually did a concert performance at the Cathedral of Saint John the Divine. (The Cathedral itself is one of the most remarkable, and, I dare say, awesome spaces, in New York.) The album, for a while, anyway, became one of the rarer HAIR recordings.

And, just a few minutes ago, I received an email from a new friend I met Saturday night, mentioning that the peacock, in some cultures, is a symbol of immortality.

It occurs to me, that long after HAIR may have been forgotten as a cultural landmark, well beyond many of its social issues will hopfully have been resolved–

It’s that remarkable music of Ragni, Rado and MacDermot that will persevere and still, in many cases, be so very beautiful.

Jim Burns (James H. Burns)
May 5, 2008

 

 

This entry was posted on Thursday, May 22nd, 2008 at 12:00 AM and filed under Uncategorized. Follow comments here with the RSS 2.0 feed. Skip to the end and leave a response. Trackbacks are closed.

2 Responses to ““Across Cathedral Avenue…””

  1. Jim Burns said:

    Hmmm…

    ‘Don’t know why so many question marks popped up in the on-screen version of that post…

    Very Zen.

    (Aristotlean?)

    😉

    Jim

  2. Jim Burns said:

    And now, I’ve been emailed, those strage internet question marks only appear on some versions of that post, so…

    Let’s call it even, as a hallucination.

    😉

    By the way, rather remarkable to discover HAIR at the end of what’s apparently considered a classic 1968 rock documentary, ALL MY LOVING, directed by Tony Palmer, for the BBC. I felt silly enough that I had never even heard of this, as some say it’s a landmark in British rock–at least in how it was preseted to the public. Palmer had worked for Ken Russell, and on Michael Bennet’s ALICE IN WONDERLAND, when John Lennon further encouraged him to shoot this look at the music scene, in 1967. Included are Paul McCartney, Donovan, The Who, Jim Hendrix, Eric Burdon, Cream… (Palmer went on, by the way, to a far ranging career, including other rock films, and many, many opera projects.)

    Most of note is its inclusion of the then current political climate. (And, unless I’m misundersanding the documentary’s ending, a commentary on how the cheering throngs at some rock concerts can, in some cases, bear an uncomfortable resemblance to those moved by fascism. Palmer would have been amongst the first to make this allusion.)

    Towards ALL YOU NEED IN LOVE’S finish, beginning with some footage shot in San Francisco, its soundtrack suddenly starts playing “Be In”–

    In its entirety.

    Also intriguing was that this must have been from the original Public recording…

    I wonder if Ragni-Rado-MacDermot ever knew, at the time, that their music had been featured in what is still considered to be a British rock cultural milestone.

    It’s been on DVD, since last year.

    Jim Burns

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